Oxblood: Winner of the Sunday Times Charlotte Aitken Young Writer of the Year Award

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Oxblood: Winner of the Sunday Times Charlotte Aitken Young Writer of the Year Award

Oxblood: Winner of the Sunday Times Charlotte Aitken Young Writer of the Year Award

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From Mary Gaitskill’s courageously nuanced personal essay, The Trouble with Following the Rules: “The truth may hurt, but in art, anyway, it also helps, sometimes profoundly.” A book to make me laugh? Victoria ‘Vic’ Asher is a clever, young teen living in a way too small and mundane world. Her life is pretty ordinary, until one day some remarkable occurrences change her life. A remarkable galvanization of a time and a place, its style and substance so rooted in one another it is impossible to imagine it being written by anyone else. A story that seeps into you, sentences turned to catch the light like night eyes. A living thing' -- DOMINIC NOLAN To me, genres are ever-evolving narrative frameworks that expose our fears and fantasies, offering writers trenchant tools to interrogate, repurpose and vandalise. We might turn to genre for comfort: to escape the tedium, uncertainty and injustice of reality; but genre can also confront these horrors, directly or askance, and say something troubling and truthful about them. What projects are you working on?

Much of my poetry has been inspired or provoked by the blues’ ] Have you ever made a literary pilgrimage? For over 30 years, the UK’s most influential prize for young writers has been a definitive indicator of rising literary talent in Britain and Ireland, and Tom Benn joins an illustrious list of previous winners, including last year’s winner Cal Flyn, as well as Zadie Smith, Simon Armitage, Max Porter, Sally Rooney and Robert Macfarlane. Francis Spufford: ‘I’ve always loved novels best as a reader, but for a long time I was too timid to take the plunge’ ] Which writers, living or dead, would you invite to your dream dinner party?With that said, I enjoyed the story overall. I think it had a good amount of suspense and a few twists that I didn’t see coming, which was fun. Victoria is such a cool character, with her ability to adapt to situations, and I like that her skill in observation came in handy in her search for her brother. I hope that she grows more as the series continues and is able to get past the aren’t-I-such-a-sad-baby thing, because while she certainly has it tough, she also certainly loves lamenting over the fact that her life is tough. This one wasn’t a must-read for me, but I definitely can see people loving it for its constant stream of surprises.

My father was a police constable who was stationed at Longsight (and, for a time, at Benchill) and so, even though he would never have shared the reality of his job over the dinner table, as a teenager in the 60's I was savvy enough to sense some of what he was experiencing. Occasionally he would return home with his hand in plaster, after helping to beat a drunken Irishman into his cell. Oxblood is one of those rare books where place and time are conjured so effortlessly, the caste of characters are drawn with so much ease and grace… Tom Benn is a seriously gifted writer and I’m keen to read whatever he does next.‘The Dodds family once ruled Manchester's underworld; now the men are dead, leaving three generations of women trapped in a house haunted by violence, harbouring an unregistered baby. One of those rare books where place and time are conjured so effortlessly, the cast of characters drawn with so much ease and grace' -- MONA ARSHI Over the course of a few days, Nedra, Carol and Jan must each confront the true legacy of the men who have defined their lives; and seize the opportunity to break the cycle for good.

She's really worried, so off to Italy she flies. Starting with the last hotel that he stayed in, she starts asking questions. To her surprise, she's greeted by a good looking man .. pointing a gun at her. Seems like he's looking for her brother, as well. Over the course of a few days, the Dodds women must each confront the true legacy of the men who have defined their lives; and seize the opportunity to break the cycle for good.When Victoria realizes something could be terribly wrong with her brother’s trip though, she gets on a plane and leaves for Italy even though it terrifies her. Once there she realizes how hard it is going to be to find Gil. She also meets a certain someone who ends up showing her a whole new world that she didn’t even know existed while at the same time finally giving her a purpose. I love YA thrillers and strong female characters, so when I saw this on NetGalley, I knew I had to take a look and see what it was about. The Charlotte Aitken Trust would like to thank the judges of this year’s award for producing such an outstanding shortlist. It is a showcase for the vitality and range of talent in a younger generation. Tom Benn’s novel Oxblood is a worthy winner, though the prize could have gone to any of the shortlist — which must have made the judges’ task especially hard. We warmly congratulate all four authors and look forward to watching their careers blossom.‘ A blistering portrait of a family on fire, Oxblood lays bare the horror of violence, the exile of grief, and the extraordinary power of love.

Much of the story involved suspenseful activities, like people trying to kill or capture Vic. Despite not being a trained spy, Vic made use of the skills she did have to survive and even saved others. Once she got to Italy, I had a hard time putting the book down because I wanted to know what happened next (and the book had been enjoyable before that).Oxblood shows us that there are few places literature can't take us, if the writer is brave enough, and gifted enough' -- FRANCIS SPUFFORD Tom Benn is the winner of the 2022 Sunday Times Charlotte Aitken Young Writer of the Year Award for his novel, Oxblood Martin Doyle



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